No performer seems to be enjoying a stronger season than Anne Hathaway right now.

With her favorite Knicks team succeeding, news of her expecting a third child, and five movies featuring her arriving this year, supporters have plenty to celebrate.

She has already starred in "Mother Mary," "The Devil Wears Prada 2," and "The Odyssey," while "The End of Oak Street" and "Verity" remain forthcoming.

Though not every project earns universal praise, the "Princess Diaries" lead holds two Academy Award nominations and one win, along with several major series to her credit.

All of her screen credits to date have been ordered from supporting turns to starring roles based on reviewer scores.

The following list highlights her strongest and weakest outings according to Rotten Tomatoes.

45. "The Last Thing He Wanted" (2020)

Rotten Tomatoes score: 5%

The 1984-set drama follows reporter Elena McMahon (Hathaway) as she honors her father's final request by arranging an arms transaction in Central America.

Reviewers noted that the Netflix feature lost emotional focus during adaptation, resulting in a tangled storyline.

"How does a director as stellar as Dee Rees go so thunderously wrong adapting a 1996 novel by the great Joan Didion, with a cast headed by Anne Hathaway, Ben Affleck, and Willem Dafoe?" asked Peter Travers in Rolling Stone.

44. "Don Peyote" (2014)

Rotten Tomatoes score: 7%

Overcome by wedding jitters, Warren Allman (Dan Folger) embarks on a psychedelic journey in the star-studded comedy "Don Peyote."

Hathaway plays the Agent of Truth in a brief appearance.

The film drew criticism for its scattered narrative and underdeveloped figures.

"All the controlled substances in the world couldn't improve a viewing of the execrable 'Don Peyote,' a tedious, incoherent look at a paranoid stoner's emotional and spiritual unraveling," observed Gary Goldstein in The Los Angeles Times.

43. "Bride Wars" (2009)

Rotten Tomatoes score: 10%

Best friends Liv (Kate Hudson) and Emma (Hathaway) see their bond strained when their weddings are scheduled for the identical date in this comedy.

Critics found the romantic comedy shallow and unfair to its leads.

"There's a good deal of potential squandered in this strained comedy, which suffers from lazy writing, miscalculated acting, perfunctory directing, and general bad timing," noted Eddie Cockrell in The Sydney Morning Herald.

42. "The Hustle" (2019)

Rotten Tomatoes score: 13%

The story follows swindlers Josephine Chesterfield (Hathaway) and Penny Rust (Rebel Wilson) as they target a wealthy mark (Alex Sharp). It serves as a gender-swapped update of the 1988 comedy "Dirty Rotten Scoundrels."

Despite its comedic label, reviewers found few authentic laughs.

Richard Roeper remarked in the Chicago Sun-Times that even at 93 minutes, "The Hustle" felt roughly an hour too long.

41. "Valentine's Day" (2010)

Rotten Tomatoes score: 18%

The ensemble romance traces intersecting lives across Los Angeles on February 14.

Among the characters are a florist (Ashton Kutcher), an executive (Bradley Cooper), a physician (Patrick Dempsey), an educator (Jennifer Garner), and a receptionist (Hathaway) concealing a secret from her partner (Topher Grace).

Critics believed the sprawling cast overwhelmed the material.

"The film is described as 'a day in the life of love' and presents us with a group of beautiful Angelenos striving to justify a screenplay that gives them nothing coherent to do," wrote Derek Malcolm for the London Evening Standard.

40. "Passengers" (2008)

Rotten Tomatoes score: 19%

In the thriller, therapist Claire Summers (Hathaway) counsels five plane-crash survivors and uncovers hints of a broader plot.

While Hathaway's committed turn drew notice, most felt the film remained flawed.

Adam Markovitz stated in Entertainment Weekly that "The actors make a noble effort, but Passengers turns out to be just another dud in the genre of revisionist mysteries that have been messing with our heads since Haley Joel Osment saw dead people."

39. "Serenity" (2019)

Rotten Tomatoes score: 21%

The thriller tracks boat captain Baker Dill (Matthew McConaughey) after his former spouse (Hathaway) asks him to eliminate her violent new husband.

Critics found the reunion of "Interstellar" co-stars illogical and overwrought.

"Both [Anne Hathaway and Matthew McConaughey] are led astray by a wayward script about a fisherman named Dill who's caught in a bit of a pickle... I wouldn't recommend it," wrote Jake Coyle for the Associated Press.

38. "The Princess Diaries 2: Royal Engagement" (2004)

Rotten Tomatoes score: 25%

Mia Thermopolis (Hathaway) faces demands from Genovia's parliament to wed before ascending the throne.

Reviewers enjoyed isolated moments yet felt the plot lacked substance for a sequel.

"Sometimes charming, sometimes a tad too silly and all the time predictable, 'Princess Diaries 2' gives you what you'd expect and doesn't take many chances besides allowing for the possibility that a princess might be okay without a husband," observed Sara Gebhardt in The Washington Post.

37/36 (tie). "Alice Through the Looking Glass" (2016)

Rotten Tomatoes score: 29%

Alice (Mia Wasikowska) journeys through time in Wonderland to rescue the Mad Hatter (Johnny Depp) from doom, with Hathaway returning as the White Queen.

Reviewers cited a shortage of wit, creativity, and excitement, with the story feeling stretched.

"I don't remember the last time I saw actors more dispirited and bored than in 'Alice Through the Looking Glass,'" wrote Will Leitch for The New Republic.

36/37 (tie). "The Other Side of Heaven" (2001)

Rotten Tomatoes score: 29%

Student John Groberg (Christopher Gorham) leaves girlfriend Jean (Hathaway) to spread his Mormon beliefs in the South Pacific.

Some critics felt the emphasis on faith sidelined character and story development.

"Handsome and sincere but slightly awkward in its combination of entertainment and evangelical boosterism," noted The San Francisco Chronicle.

35. "Song One" (2015)

Rotten Tomatoes score: 34%

Franny (Hathaway) returns home after her brother's coma and reconstructs his world through his journal and musical ties in this drama.

Reviewers called it overly sweet and self-focused, though Hathaway delivered a restrained lead performance.

"In her feature debut, writer/director Kate Barker-Froyland tends to tiptoe away from the dramatic high notes that audiences often crave and comes up a stanza or two short from a fulfilling resolution," wrote Susan Wloszczyna for RogerEbert.com.